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A "RUSSIAN GOVERNOR" IN GREECE

Il conte Giovanni Capodistria (1776-1831) è stato un uomo politico greco-russo, ministro degli esteri dell'impero zarista e primo capo di stato della Grecia indipendente.

Nei libri di storia greci è il Κόμης Ιωάννης Καποδίστριας while the Russian is граф Иоанн Антонович Каподистрия . He was born in Corfu, the main center of the Ionian Islands (then part of the Republic of Venice), studied at Padua, and had a long series of diplomatic appointments which culminated in 1809 when he was called to St. Petersburg at the Department of Foreign Affairs Tsarist Empire, where he served as a diplomatic agent, two years later was part of the Russian embassy in Vienna and in 1812 he was sent to work at the headquarters of the Russian army of the Danube. The following year, as head Cabinet, Koper followed the Tsar Alexander I of Russia in the war against Napoleon, earning the trust of the Russian emperor to get to the point, from that moment on, the most important negotiations of state. In the Congress of Vienna, who participated as a Russian plenipotentiary, he managed to get through his influence the restoration of the Republic under the exclusive protection dell'Eptaneso English and signed shortly after the Second Treaty of Paris of 20 November 1815. Count Koper always had at heart the cause of emancipation from the yoke Hellenic turkish and 18 April 1828 the Greek National Assembly met in Nauplius elected him first president. The need to revive its ancient Greece arretratezza fece tuttavia prendere a Capodistria misure di ammodernamento tanto drastiche quanto impopolari che gli alienarono le simpatie di molti gruppi politici e clan familiari. Scoppiarono quindi rivolte nell'isola di Idra e nella regione del Mani, e quando Capodistria fece arrestare il principe maniota Petros Mavromichalis venne assassinato dal fratello e dal figlio di quest'ultimo a Nauplio, nel Peloponneso, mentre si dirigeva verso la chiesa di San Spiridione, il 9 ottobre 1831. 

Dal 1911 l'Università di Atene reca il nome Εθνικό και Καποδιστριακό πανεπιστήμιο Αθηνών, e oggi il suo volto è raffigurato sulla moneta da 20 centesimi di euro.

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The "Russian party" in Greece and Russia

Il partito russo (in greco: Ρωσικό Κóμμα) fu uno dei primi partiti greci costituito da leaders politici formatosi durante il periodo della prima repubblica greca (1828-1831), e durò fino al regno di re Ottone I di Baviera. In quel periodo i partiti recavano i nomi di una delle tre grandi potenze che avevano giocato un ruolo decisivo durante la Guerra di Indipendenza Greca e il Trattato di Costantinopoli. Le tre potenze rivali, Russia, Regno Unito e Francia, manipolavano in tal modo le sorti politiche elleniche promuovendo i propri interessi. Il partito russo - Known as "party napista" from Ναπαίοι (a NAPAs was a known supporter of Kapodistrias) - was representative of the conservative forces of society and the Russian Orthodox Church in Greek life. In 1833 the leaders of the Russian party, including Theodoros Kolokotronis (pictured), his son and Gennaios Tzavelas Kitsos, were involved in a plot in an attempt to oust the head of the Council, Count Josef Ludwig, Graf von Armansperg (Κόμης Ιωσήφ Λουδοβίκος Άρμανσμπεργκ), regent of the child Ottone I . In seguito Ottone I fu libero dalle influenze dei reggenti, e il periodo 1838-1839 venne caratterizzato dall’ascesa del partito russo. Nel 1839 si parlò della cosiddetta “Cospirazione filoortodossa”, che prevedeva il rapimento del giovane re cattolico Ottone durante la messa del 1° gennaio 1839, concedendogli l’ultimatum di rinunciare al cattolicesimo per divenire ortodosso. Il complotto non ebbe mai luogo, ma il partito inglese e quello francese fecero di tutto per suscitare uno scandalo.

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Greece, Ελλάδα και Ρωσία, Греция и Россия ... and not only orthodoxy

I legami fra la Grecia e la Russia sono caratterizzati - in Occidente - da profonda ignoranza linguistica, storica e culturale. Tanto ieri quanto oggi. "La Grecia e la Russia, malgrado le sembianze diverse, nacquero per vivere eternamente nemiche fra loro; chè la Grecia è stella di Libertà, e Russia buio di tirannide: io scienza e grazia, ella ignoranza e grosserìa: qui riso di cielo, là fremito di Natura. Dio insomma divise la Grecia dalla Russia, come le tenebre dalla luce.", avrebbe scritto con visione miope e "risorgimentalista" Francesco Domenico Guerrazzi (1804-1873), politico, scrittore e "dittatore" ne L'Asino: sogno (1857). Al contrario, grazie agli studi appassionati sulla lingua e sulla cultura greca e russa, come quelli di Konstantinos Oikonomos (1780-1857) i due paesi appaiono accomunati da stretti legami storici, culturali, linguistici oltre che religiosi. Oikonomos fu tra l'altro autore di un dizionario bilingue dal titolo Essay on the immediate affinity with the Greek language slavyanorossiyskogo - Δοκίμιον περί της πλησιεστάτης συγγενείας της Σλαβονο-Ρωσσικής γλώσσης προς την Ελληνικήν, valuable source for scholars (rare) greek language-Russian relations. And from the literary point of view ties reveal new and surprising aspects. Soon we will talk about Dostoyevsky and Chekhov .... Greece!

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Papadiamantis

Papadiamantis Just four verses of the melody inspired by Manolis Liapakis. They are here interpreted the deep voice of Sokratis Malamas.



Στα μάτια τα ψιχαλιστά
that anyway love trap

how drunk I got drunk one God knows ...

Di quegli occhi screziati
che l'amore aspetta al varco
quanto m'inebriai
solo Dio lo sa ...

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MUSIC IN MEMORY OF ALEXANDROS Papadiamantis 2011

Nel corso del 2011 si celebrerà, con diverse manifestazioni in Grecia e non solo, il centenario dalla morte di Alèxandros Papadiamantis, greek translator and writer of European significance, born to Skiathos (Sporades islands) in 1851. The poor society of fishermen and sailors of the island native is the background of most of his vast work of fiction, made up of five novels, poems and hundreds of short stories. It The killer (1903), natural plant overlaps a psychological analysis of great subtlety, which will make school at the writers of later generations. The best pages contain passages of great lyrical power, and is particularly effective evocation of the landscape. Deepen the author found on the Internet very textual and audiovisual material. Some texts, including the murderous , the special edition of the journal Odos Panos, a rich database , five critical essays on the writer, an article by Elefterotypia , the biopic titled KAΛΗ ΣΟΥ ΝΥΧΤΑ ΚΥΡ ΑΛΕΞΑΝΔΡE , relations with orthodoxy, and much more .... but among the most interesting things, the music from the texts of Papadiamantis, as this motif inspired by the verses Στα Μάτια τα ψιχαλιστά

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PANAGIOTIS MOULLAS

He died in Thessaloniki on Saturday evening, Sept. 11, at the age of 75 years, Emeritus Professor Panagiotis Moullàs, among the most influential scholars of modern Greek literature. Born in 1935 in Kilkis, Panagiotis Moullàs studied at the Faculty of Arts University of Thessaloniki. It 'been a research associate at the Center for National Research greek (EIE) from 1961 to 1966. He lived for many years in Paris (1966-1977), where he taught modern greek University of Nanterre and the Sorbonne. In 1977 he was appointed to Modern Greek Literature at the Faculty of Arts University of Thessaloniki. Since then he has lived and taught in Greece. She has curated dozens of literary and written hundreds of essays, as well as numerous studies on fiction and poetry and translations of classic works. Among the major works should be mentioned: Λουκιανού: Εταιρικοί και νεκρικοί διάλογοι (προλεγόμενα, μετάφραση, notes) Galaxy 1967. - G.. Flaubert: A sentimental education (chronology, Foreword, bibliography, translation, notes), Galaxy 1971, 1981 Odysseus. - A. Papadiamantis aftoviografoumenos (introduction, text, seizures), Mercury 1974, 1981. - GM Vizyenos: Modern Greek stories (introduction, text, seizures), Mercury 1980. - Sulla narrativa postbellica: For τη μεταπολεμική μας πεζογραφία: Κριτικές καταθέσεις , Στιγμή 1989 e infine il volume O Χώρος του Εφήμερου. Στοιχεία για την παραλογοτεχνία του 19ου αιώνα (Εκδ. Σοκόλη 2007 ). Tra le ultime apparizioni, eccolo in questo video il 21 novembre 2009 mentre tiene una relazione sulla corrispondenza di Triantafyllidis all'Università di Salonicco.

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Ho conosciuto per la prima volta il prof. Moullàs alla fine del mese di Novembre del 2004. Era stato invitato in occasione del Congresso Internazionale organizzato to celebrate the centenary of the death of Emmanuìl Roidis. It was only a few days. I met him again and for much longer in Cyprus, where the last half of 2006 was held at the local university postgraduate course entitled: Το διήγημα μετά το 1880. I had just written, and I was so privileged to listen to his weekly lessons and discussions that arose from time to time in the classroom. Look carefully at the teacher, and I was struck by how elegant and stylish when faced with comments that were raised at times quite sharply. Unlike other professors Greek or foreign, had chosen not to live all'Archontikò Axiothea street - that was my second home for two years - and often in the evening where we had dinner with friends of the Cultural Center of the University of Cyprus, headed by prof. Pieris. He had rented a house in the immediate vicinity of the option, and then the library. The non-college acquaintances were not so obvious. But it happened one day when I approached him, while a night I was at the library, sitting alone behind a table in the company of books. I did not realize that Moullàs same among the shelves. Suddenly I see it: It had something to say. "Matthew, good evening, there is a book that I have to report it." He sat down beside me, we chatted for a long time of my reading and my interests (which eventually would turn to the theme of her latest essay, namely the so-called "paraliterature") and gave me an indication of the bibliographic volume: Ελληνική Βιβλιογραφία 1864 - 1900 Filippos Iliou Popi and controversy, went out for a few months before Elijah types. He was amiable, a gentleman of old mold, but above all else was a fan. And soon I realized that the choice in the rented house near the library confirmed his words: "The critic is a demanding and informed reader, a reader task. So better as a critic greater the accuracy. To be good to have a certain talent and culture: knowing not only literature but also philosophy, science and much more. Knowledge has no limits. "

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GIANNIS MARIS, the first writer of "detective" in Greece in two documentaries

" We are all children of Giannis Maris "said Filippos Filippou , a member of the "quartet" of Greek authors of "detective story" (the others are Andreas Apostolidis, Petros Martinidis Markaris and Petros, the oldest of four and commercial).

Maris was the first to "police". Born in 1919 in Skopelos, he spent his childhood in Lamia. Later he studied law and during the years of occupation was a member of EAM (the National Liberation Front). After the liberation of occupied professional journalism. In 1953 the journal Family serialized novel Crime in Kolonaki with the real name of Giannis Tsirimokos.

The success led him to continue, and he came to write about 50 novels. The detective plot was instrumental to his true interests: the environment, the atmosphere, human relations, the result of the continuing power of observation due to a career in journalism. Hero of his novels is almost always the commissioner Bekas, highly characterized (short, fat, mustache), but that does not belong to the types of night life and mysterious typical of many such works.

Maris collaborated with several newspapers, as Προοδευτικός Φιλελεύθερος, Ελεύθερος Λόγος, Αθηναϊκή. Maris Many works have gone to the great and the small screen , great success.

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EMMANUIL ROIDIS

Emmanuìl Roidis (1836-1904) was undoubtedly one of the most important figures in Greek culture 800, a writer fell into the cultural climate of his time, innovative caustically against every form of cultural conservatism Fiction. The national radio and television Greek (ERT) has made two documentaries on the writer of Syros, and below that we offer. The first, (range Words City ), is entitled Emmanuìl Roidis - Ermoupoli . The second (for the series Ages and writers ) is called Emmanuìl Roidis . Rich multimedia apparatus of two documentaries and valuable assistance of critics e studiosi, tra cui il compianto prof. P. Moullàs. Buona visione e buon ascolto.